Synthi 100, four ways

Each page plays the same instrument and keeps the same patch, so you can change it on one and find it on the next. Turn the sound on from the bar in each page.

The whole console with afromosia cabinet, four panels, two matrices and two keyboards

The console

All of it, where it is on the machine, with the manual's knob colours. Move closer to a part from the bottom bar. Best for recognising the instrument.

 Two large pin matrices with named rows and columns and a black control panel

The pin field

The two matrices fill the screen and the knobs come to you. Styled after an operator's manual for the machine. Best for building and reading large patches.

 Circles on a blue-green scope face joined by glowing curved lines

Draw the patch

Draw between circles to connect, slash a line to cut it. Built for a touch screen. Best for learning what connects to what, and for performing.

 A pale enamel face with rows of tuning discs, a scope and a keyboard

Tuning discs

The mw-shaper v2 discs and colour stops, with the instrument sorted into plain sections and connections written as a list. Best for keeping it calm.